With these you can easily control where your video and audio clips go, when you cut them into your sequence.ħ. The Move all Video/ Audio Sources Up/ Down commands work on your source patching, at the far left of your timeline. Map this command, use it, and watch the time indicators at the top of the Timeline panel change. Show Audio Time Units lets you zoom in – and adjust edits – at the subframe level in your Premiere Pro sequence. Adding keyframes for audio volume or video position can mean a lot of clicking with the mouse – unless you map the Add or Remove Audio/ Video Keyframe commands.ĥ. Join All Through Edits will rejoin any through edits in your selection.Ĥ. If you cut a clip in two but don’t remove any frames, that’s called a through edit. Mapping this to Ctrl \ ( Cmd \ on Mac) is easy to remember if you already use \ for Zoom to Sequence.ģ. Just as Zoom to Sequence zooms you all the way out, Zoom to Frame will zoom you all the way in to the frame level. Your first step after creating or opening a new sequence should be to check your Sequence Settings. When finished, you can save your custom keyboard layout preset for future use.ġ. Search for these in the Keyboard Shortcuts window, then drag the command to the shortcut key you want to map it to. Keep hitting Shift R, and you will cycle through all the instances of that frame in the sequence. When parked on a frame in the Source Monitor, Shift R takes you to the first clip that frame appears in. The opposite is the Reverse Match Frame command. Park over any clip in the sequence and hit F to open the master clip in the Source Monitor at the exact same frame.ġ0. Fun fact: Adobe engineers added these commands at the request of The Cool Stuff in Premiere Pro author Jarle Leirpoll.ĩ. This kind of trimming is called Top
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